Teaching and Culture Essay Example for Free

Teaching and Culture Essay Cumulative cultural texts give a foreground and a context into what to expect for that particular culture. In fact there is a criteria in which any text may be classed as this. Intergenerational, Intertextual, Multidimensional. In short these words mean that the texts within this accumulation relate to each other, they refer to each other within themselves or insinuate links or they apply to the masses and are regarded of any particular text type. In this essay I will be exploring different Cumulative texts within the boundaries of Teaching. By first examining the key arguments of Mitchell and Weber (1999)’s prescribed article and what their views are in which these texts can change teacher Identities. Furthermore comparing and contrasting their study with Dead Poets society (1989) and how typical texts can be linked and provide support for identity within the classroom for both teachers and students. Part A Mitchell and Weber (1999) discuss the importance of the role of cumulative cultural texts in the portrayal of â€Å"The teacher† in society and explore this impact it can have on self-evaluation and analysis of pedagogies of the â€Å"real classroom†. This is done by focusing on a lead text in Dangerous Minds but complimented through comparing and contrasting to intertextual links within the Teaching movie genre. From this examination we can come to the conclusion that from looking at past texts teachers can have some form of model either a how to or a how not on the kind of pedagogies they will engage with and their sense of self as teachers in the classroom. Looking at Dangerous Minds, Good Morning Miss Dove, and To Sir with Love, Mitchell and Weber note the ‘popular texts wouldn’t be popular unless they managed to tap into particular desires of many readers [viewers]’ (Mitchell and Weber, (1999), pp. 167). Texts such as these are a window into the profession of teaching and give society a distorted knowledge on what it is to be a teacher. The dramatization of these texts gives a false sense of expertise to the common man/woman. It leads to an impression that Joe Blow can come up and tell you what it is to be a teacher and how you should go about your classroom. When in fact they are getting a completely skewed view into what the real classroom looks like thus popular culture in the form of the â€Å"hero teacher† having a negative effect on the profession. This leads to the ‘unrealistic and potentially harmful expectations by encouraging teacher fantasy at the expense of reality’ (Mitchell and Weber, (1999), pp. 181). It’s these expectations formed from the cumulative cultural texts which lead to disappointment for both students and teachers. Although these â€Å"hero teachers† stem from real people on the film reel their characters are over romanticised leaving new teachers at a turmoil between the pulling of the popular hero vs. the curriculum. The recurring theme and what can be argued as a centre focus of Mitchell and Webers exploration of the cumulative culture texts of teaching, is that they provide an opportunity for professional development through critical reflection and evaluation. An area in which we can link the contrasting nature between teaching pedagogies in popular culture for uses or reflection and evaluation, is the excerpt where Weber looks at To Sir with love and Dangerous minds. Both of these teachers have been portrayed as â€Å"Hero Teachers† and both have a similar style of racially diverse and disadvantaged rebellious class. As goes with the hero teacher story both teachers break through the barriers faced by these particular children. Who have been recognised as the outcasts of classroom which have been â€Å"turned around† by these teachers Miss Johnson and Sir. But with Webers close analysis between the two we can pick out distinct differences between teaching styles and can be used for some self-evaluation of how to compare your own teaching methods. For example Sir attempts to raise the students intellect through leading by example, guidance to high culture and teaching them self-control, respect and toughness of the mind (Mitchell and Weber, (1999), pp. 178 where as Miss Johnson is ready to step into their shoes on every level including language, dress and position to illustrate to the students that there will be challenges and obstacles in which they have to make their own decisions about. This style lead her to let her arm them with words and ideas in order to make them tougher (Mitchell and Weber, (1999), pp. 178). This little contrast illustrates show teachers can have the same goals and ambitions for their pupils but varying pedagogies will be best suited to you as the teacher and your students. Once this comfort has been achieved there is no wrong or right way to use the classroom. In short Mitchell and Weber argue that teachers should be using popular cultures view on teachers to apply this to their own self-evaluation and self-criticisms of themselves. As this can help us to re-invent and rejuvenate ones role and ones ambitions for what teaching is and how they want to go about teaching their classes on the daily basis. Part B Dead poet’s society (1989) gently slips into sub categorical role of the Hero Teacher in the cumulative cultural texts of teaching. It centres on the teacher John Keating (Robin Williams) taking the creative art of poetry and literature to the highest level of priority within his class room. While simultaneously throwing curriculum and structure out the window. Keating encourages students to go outside the box of Welton colleges standards and become free thinkers. Being a former student of Welton Keating encourages the boys to re-unite an old â€Å"dead poets society† in which the boys would come together and discuss the works of other free thinkers and fight back against the strict views of Welton and their families’ expectations. There are many different forms for representations of teachers within ‘Reels† but the most common and uplifting story which is what seels the movie seats and tickets are the stories of hero teachers. The story of Keating and his throw the curriculum out the window is not dissimilar to the texts in which discovered by Mitchell and Weber in the reading. As discussed before Keating only ads a further end to the spectrum of teaching styles covered in modern day representations of teacher life. The only big issue to be considered when looking back up on theses texts for the purpose of professional development is that they aren’t realistic for the common classroom. Movies always have the perfect conditions or it’s a stable environment designed to the specifications of whatever the director so chooses. Classrooms do not work this way there are many variables and this expectation of the hero teacher can smash the hopes and dreams of many graduate teachers in their pursuit for popularity. Thus we can see the turmoil the teachers in these movies are all perfect souls and do not have underlying ambitions behind becoming popular to students, some people may have hidden motives in which actual learning is set behind of become a hero teacher and getting the status level that people like Keating, Sir and Miss Johnson could achieve. Each in their own way. On deeper analysis of Dead Poets Society (1989) it can be used as a model of what not to do as a teacher. Such as the situation arising between the ambitions of student Niel to follow acting and the performing arts. But this is against the wishes of his parents and he secretly engages with dramatically activities at the encouragement of Keating. As a result the parents find out and a rift is set between Neil and his parents which leads to his death as he commits suicide from the pressure. Evidently this is a reminder of the importance to note the impact and jurisdiction of parents. As teachers we should not intervene in student lives beyond what is necessary, as seen in the movie this encouragement to break the boundaries think outside the box can go too far. Part 3 Essentially I consider that the representations can quite possibly have a positive effect which was well noted by Mitchell and Webber (1999) but can just as much negatively affect a pre-service teachers understanding of what it is for the teacher to do in the classroom. As discussed in part one by comparing to texts of similar contexts which apply to the three criteria of being a cumulative cultural text. These can be used as a mock model in which we can evaluate to ourselves what it means for us to be teachers. But furthermore it can give us insight into the many different ways of teaching. Such as the wildly differing spectrum offered through texts I have looked at. For example the Control styled approach of Sir (Mitchell and Webber, (1999)) and the more involved hold up the mirror lead style by Miss Johnson encouraging students to spread forth and realise their true potentials. Compared to that of Keating in Dead Poets Society who just through curriculum out the window and went for a creative independence lead teaching style. Thus leading to my next point that although there are positives to these texts there are equal negatives that can bring down the teaching profession or set unreasonable expectations on those wishing to pursue the career and become and educator. As mentioned in part 1 ‘popular texts wouldn’t be popular unless they managed to tap into particular desires of many readers [viewers]’ (Mitchell and Weber, (1999), pp. 167). , This highlights the fact that overall these films are not real classrooms and give society and pre-service teachers either a false satisfaction or a welcoming surprise to be introduced into the world of educators. In conclusion I would have to say that the positive far outweighs the negative associated with the cumulative cultural type literature. Therefore texts uch as these can be classed as useful as well as providing a way for teachers to design themselves or re-evaluate their own teaching. It sets a positive eye for the community around teachers and promotes the profession showcasing stories in which teachers are truly making a difference to the lives or their students. These high amount of publication and popularity increases popularity of teachers and the profession in general. These benefits associated with the knowing you can use these texts to model yourself makes them useful.

The Falling Sky :: essays research papers

I gave this paper quit a bit of thought; I was sitting in a meeting on some air problems here at General Motors and started doing some investigation. Life on this planet Earth is the product of a delicate balancing act provided by nature. Mankind’s very existence is totally dependent on this fragile ecosystem’s ability to maintain itself. A valuable player in the balance of the environment, the ozone layer, is facing a very serious threat to man. Chloroflourocarbons (CFCs) are chemicals agents commonly found in refrigerants, aerosol sprays, and in the manufacturing of Styrofoam and industrial solvents. With the rate of more than a half-million tons CFCs being spewed into the atmosphere yearly, the rate of ozone depletion is rising at an alarming rate. If a global effort is not made to end the unnecessary use of CFCs, the inhabitants of this plant face an extremely difficult and frightening future. CFCs were invented in Dayton, Ohio; in 1928.They were the product of an intensive search by engineers with the G.M. Research Corporation to find a safe non-toxic, non-flammable refrigant. Frigidaire patented the formula CFCs in 1928 and the â€Å"new wonder gas† was called Freon. Seth Cargin and Phillip Dray, co-authors of Between Earth and Sky, informs us in their story of CFCs that â€Å"Freon soon topped the list of wonders, a ‘miracle’ refrigerant †¦[with the] combination of safety, cleanliness, and efficiency†¦Ã¢â‚¬ (66) Not only was the apparently â€Å"safe† gas being used in refrigeration, but with the innovation of air-conditioning by Willis Carrier prior to World War I, Freon would one day be used to cool our homes, automobiles, and businesses. Other applications for CFCs soon followed. Out of the need to eliminate malaria-carrying mosquitoes during the First World War, Freon 12 was found to be an excellent propellant to distribute insecticide—thus the birth of the aerosol spray can. â€Å"From eight aerosol-related companies in the late forties, the industry grew to more than one hundred just a few years later† (Cagin and Dray 87). CFCs were soon making the lives of millions of Americans much more comfortable. They were also making the Kinetic Chemical Company, a joint corporation of General Motors and Dupont who manufactured and marketed Freon, extremely wealthy. But in August of 1985, the entire world was informed by a group of scientist at NASA’s Goddard Space Flight Center that the sky was literally falling. A NASA satellite photo revealed that a portion of the ozone layer the size of the continental United States had disappeared from the atmosphere above Antarctica.

The Return: Midnight Chapter 39

Elena clutched the child to her. Damon had understood, even in his dazed and confused state. Everyone was connected. No one was alone. â€Å"And he asked something else. He asked if you would hold me, just like this – if I got sleepy.†Velvety dark eyes searched Elena's face. â€Å"Would you do that?† Elena tried to keep steady. â€Å"I'l hold you,†she promised. â€Å"And you won't let go ever?† â€Å"And I won't let go ever,†Elena told him, because he was a child, and there was no point in frightening him if he had no fear. And because maybe this part of Damon – this smal , innocent part – would have some kind of â€Å"forever.†She had heard that vampires didn't come back, didn't reincarnate the way humans did. The vampires in the top Dark Dimension were Still†alive† – adventurers or fortune-seekers, or condemned there as a prison by the Celestial Court. â€Å"I'l hold you,†Elena promised again. â€Å"Forever and ever.† Just then his smal body went into another spasm, and she saw tears on his dark eyelashes, and blood on his lip. But before she could say a word, he added, â€Å"I have more messages. I know them by heart. But† – his eyes begged her forgiveness – â€Å"I have to give them to the others.† What others? Elena thought at first, bewildered. Then she remembered. Stefan and Bonnie. There were other loved ones. â€Å"I can†¦tel them for you,†she said hesitantly, and he gave a tiny smile, his first, just the corner of one lip up. â€Å"He left me a little telepathy, too,†he said. â€Å"I kept it in case I had to cal to you.† Stillfiercely independent, Elena thought. Al she said was, â€Å"You go ahead, then.† â€Å"The first one is for my brother, Stefan.† â€Å"You can tel him in just a moment,†Elena said. She held on to the smal boy in Damon's soul, knowing that this was the last thing she had left to give him. She could sacrifice a few priceless seconds, so that Stefan and Bonnie could say their own good-byes. She made some sort of enormous adjustment to her real body – her body outside Damon's mind, and found herself opening her eyes, blinking and trying to focus. She saw Stefan's face, white and stricken. â€Å"Is he – ?† â€Å"No. But soon. He can hear telepathy, if you think clearly, as if you were speaking. He asked to talk to you.† â€Å"To me?†Stefan bent down slowly and put his cheek against his brother's. Elena shut her eyes again, guiding him down through the darkness to where one smal light was Stillshining. She felt Stefan's wonder as he saw her there, Stillholding the little dark-haired boy in her arms. Elena hadn't realized that through her link to the child, she would be able to hear every word spoken. Or that Damon's messages would come in the words of a child. The little boy said, â€Å"I guess you think I'm pretty stupid.† Stefan started. He'd never seen or heard the child-Damon before. â€Å"I could never think that,†he said slowly, marveling. â€Å"But it wasn't much like†¦ him, you know. Like†¦ me.† â€Å"I think,†Stefan said unsteadily, â€Å"that it's terribly sad – that I never real y knew either of you very well .† â€Å"Please don't be sad. That's what he told me to say. That you shouldn't be sad†¦or afraid. He said it's a little bit like going to sleep, and a little bit like flying.† â€Å"I'l †¦remember that. And – thank you – big brother.† â€Å"I think that's al . You know to watch over our girls†¦.†There was another of the terrible spasms that left the child breathless. Stefan spoke quickly. â€Å"Of course. I'l take care of everything. You fly.† Elena could feel the grief slash at Stefan's heart, but his voice was calm. â€Å"Fly away now, my brother. Fly away.† Elena felt something through the link – Bonnie touching Stefan's shoulder. He quickly got up so that she could lie down. Bonnie was almost hysterical with sobbing, but she had done a good thing, Elena saw. While Elena had been in her own little world with Damon, Bonnie had taken a dagger and cut off a long lock of Elena's hair. Then she had cut one of her own strawberry curls, and placed the locks – one wavy and golden, one curling and red-blond – on Damon's chest. It was al they could do on this flowerless world to honor him, to be with him forever. Elena could hear Bonnie, too, through her link with Damon, but at first al Bonnie could do was sob, â€Å"Damon, please! Oh, please! I didn't know – I never thought – that anyone would get hurt! You saved my life! And now – oh, please! I can't say good-bye!† She didn't understand, Elena thought, that she was talking to a very young child. But Damon had sent the child a message to repeat. â€Å"I'm supposed to tel you good-bye, though.†For the first time the child looked uneasy. â€Å"And – and I'm supposed to tel you ‘I'm sorry,'too. He thought you'd know what that meant and you'd forgive me. But†¦if you don't†¦I don't know what wil happen – oh!† Another of the hateful spasms went through the child. Elena held on to him hard, biting her own lip until the blood came; at the same time trying to shield the little boy completely from her own feelings. And deep in Damon's mind, she saw Bonnie's expression change, from tearful penance to astonished fear to careful control. As if Bonnie had grown up al in an instant. â€Å"Of course – of course I understand! And I forgive you – but you haven't done anything wrong. I'm such a sil y girl – I†¦Ã¢â‚¬  â€Å"We don't think you're a sil y girl,†the child said, looking vastly relieved. â€Å"But thank you for forgiving me. There's a special name I'm supposed to cal you, too – but I†¦Ã¢â‚¬ He sank back against Elena. â€Å"I guess – I'm†¦getting sleepy†¦Ã¢â‚¬  â€Å"Was it ‘redbird'?†Bonnie asked careful y, and the little boy's pale face lit up. â€Å"That was it. You knew already. You're al †¦so nice and so smart. Thank you†¦for making it easy†¦But can I say one more thing?† Elena was about to answer, when abruptly she was jarred completely out of Damon's mind and back into reality. The Tree had slammed down another spider's leg set of branches, trapping them and Damon's body between two circles of wooden bars. Elena had no plans. No idea how to get to the star bal that Damon had died for. Either the Tree was intel igent, or it was wired to have such efficient defenses that it might as well have been. They were lying on the evidence that many, many people had tried for that star bal – and left behind their bones ground to sand. Come to that, she thought, I wonder why it hasn't gone for us, too – especial y for Bonnie. She's been in, and then out, and back in again, which I should never have let her do except that we were al thinking about Damon. Why didn't it go for her again? Stefan was trying to be strong, trying to organize something out of this disaster that was so stunning that Elena herself simply sat. Bonnie was sobbing again, making heart-wrenching sounds. Between both circular sets of bars a wooden network was spreading – too close-knit for even Bonnie to squeeze through. Elena's group was efficiently separated from anything outside the sand pit, and just as efficiently separated from the star bal . â€Å"The axe!†Stefan cal ed to her. â€Å"Throw me – â€Å" But there was no time. A rootlet had curled around it and was swiftly dragging it into the upper branches. â€Å"Stefan, I'm sorry! I was too slow!† â€Å"It was too fast!†Stefan corrected. Elena held her breath, waiting for the last crash from above, the one that would kil them al . When it didn't come, she realized something. The Tree was not only intel igent, but sadistic. They were to be trapped here, away from their supplies, to die slowly of thirst and starvation, or to go mad watching the others die. The best that they could hope for was that Stefan would kil both Bonnie and her – but even he would never get out. These wooden branches would come crashing down again and again, as often as the Tree felt necessary, until Stefan's crushed bones joined the others that had been mil ed to fine sand. That was what did it, the thought of al of them, trapped with Damon, making a mockery of his death. The thing that had been swelling inside Elena for weeks now, at hearing the stories about children who ate their pets, at creatures who delighted in pain, had, with Damon's sacrifice, final y gotten so big that she could no longer contain it. â€Å"Stefan, Bonnie – don't touch the branches,†she gasped. â€Å"Make sure you're not touching any part of the branches.† â€Å"I'm not, love, and Bonnie isn't either. But why?† â€Å"I can't keep it in anymore! I have to stand like this – â€Å" â€Å"Elena, no! That spel – â€Å" Elena could no longer think. The hateful demi-light was driving her mad, reminding her of the pinpoint of green in Damon's pupils, the horrible green light of the Tree. She understood exactly about the Tree's sadism to her friends†¦and in the corner of her eye she could see a bit of black†¦like a rag dol . Except that it was no dol ; it was Damon. Damon with al of his wild and witty spirit broken. Damon†¦who must be gone from this and al worlds by now. His face was covered with her blood. There was nothing peaceful or dignified about him. There was nothing the Tree had not taken from him. Elena lost her mind. With a scream that peeled raw and bleeding from her backbone and came hoarsely out of her throat, Elena grabbed a branch of the Tree that had kil ed Damon, that had murdered her beloved, and that would murder her and these two others she loved as well. She had no thoughts. She wasn't capable of thinking. But instinctively she held a high bough of the Tree's cage and let the fury explode out of her, the fury of murdered love. Wings of Destruction. She felt the Wings arch behind her, like ebony lace and black pearls, and for a moment she felt like a deadly goddess, knowing that this planet would never harbor any life ever again. When the attack flared out, it turned the twilight al around her to matte black. What a fitting color. Damon wil like this, she thought in confusion, and then she remembered again, and it slammed blistering out of her again, the Power to destroy the Tree al over this smal world. It shattered her from the inside but she let it keep coming. No physical pain could compare with what was in her heart, with the pain of losing what she had lost. No physical pain could express how she felt. The huge roots in the ground underneath them were bucking as if there was an earthquake, and then – There was a deafening sound as the trunk of the Great Tree exploded straight upward like a rocket, disintegrating to fine ash as it went. The spider's-leg bars around them simply disappeared along with the canopy above. Something in Elena's mind noted that very far away the same destruction was going on, racing to turn branches and leaves into infinitesimal bits of matter that hung in the air like haze. â€Å"The star bal !†Bonnie cried in the eerie silence, anguished. â€Å"Vaporized!†Stefan caught Elena as she sank to her knees, her ethereal black wings fading. â€Å"But we'd never have gotten it anyway. That Tree had been protecting it for thousands of years! Al we'd have gotten would have been a slow death.† Elena had turned back to Damon. She had not been touching the stake that ran through him – in seconds it would be the only remnant of the Tree on this world. She could hardly dare hope that there was a spark of life left in him now, but the child had wanted to speak with her and she would make that possible or die trying. She scarcely felt Stefan's arms around her. Once again, she plunged into the very depths of Damon's mind. This time she knew exactly where to go. And there, by a miracle, he was, although obviously in hideous pain. Tears were rol ing down his cheeks and he was trying not to sob. His lips were bitten raw. Her Wings had not been able to destroy the wood inside him – it had already done its poisonous damage – and there was no way to reverse that. â€Å"Oh, no, oh God!†Elena caught the child in her arms. A teardrop fel on her hand. She rocked him, scarcely knowing what she was saying. â€Å"What can I do to help?† â€Å"You're here again,†he said, and in his voice, she heard the answer. This was al that he wanted. He was a very simple child. â€Å"I'l be here – always. Always. I'm never letting go.† This didn't have the effect that she wanted. The boy gasped, trying to smile, but was torn with a horrible spasm that almost arched his body out of her arms. And Elena realized that she was turning the inevitable into slow, excruciating torture. â€Å"I'l hold you,†she modified her words for him, â€Å"until you want me to let go. All right?† He nodded. His very voice was breathless with pain. â€Å"Could you – could you let me shut my eyes? Just†¦just for a moment?† Elena knew, as perhaps this child did not, what would happen if she stopped badgering him and let him sleep. But she couldn't stand to see him suffering any longer, and nothing was real again, and there was no one else in the world for her, and she didn't even care if doing it this way meant she would fol ow him into death. Careful y steadying her voice, she said, â€Å"Maybe†¦we can both shut our eyes. Not for a long time – no! But†¦just for a moment.† She kept rocking the smal body in her arms. She could Stillfeel a faint pulse of life†¦not a heartbeat, but Still, a pulsing. She knew that he hadn't shut his eyes yet; that he was Stillfighting the torture. For her. Not for anything else. For her sake only. Putting her lips close to his ear, she whispered, â€Å"Let's close our eyes together, All right? Let's close them†¦at the count of three. Is that All right?† There was such relief in his voice and such love. â€Å"Yes. Together. I'm ready. You can count now.† â€Å"One.†Nothing mattered except holding him and keeping herself steady. â€Å"Two. And†¦Ã¢â‚¬  â€Å"Elena?† She was startled. Had the child ever said her name before? â€Å"Yes, sweetheart?† â€Å"Elena†¦I†¦love you. Not just because of him. I love you too.† Elena had to hide her face in his hair. â€Å"I love you, too, little one. You've always known that, haven't you?† â€Å"Yes – always.† â€Å"Yes. You've always known that. And now†¦we'l close our eyes – for a moment. Three. â€Å" She waited until the last faint movement stopped, and his head fel back, and his eyes were shut and the shadow of suffering was gone. He looked, not peaceful, but simply gentle – and kind, and Elena could see in his face what an adult with Damon's features and that expression would look like. But now even the smal body was evaporating right out of Elena's arms. Oh, she was stupid. She'd forgotten to close her eyes with him. She was so dizzy, even though Stefan had stopped the bleeding from her neck. Closing her eyes†¦ maybe she would look as he had. Elena was so glad that he'd gone gently at the end. Maybe the darkness would be kind to her, too. Everything was quiet now. Time to put away her toys and draw the curtains. Time now to get in bed. One last embrace†¦and now her arms were empty. Nothing left to do, nothing left to fight. She'd done her best. And, at least, the child had not been frightened. Time to turn off the light now. Time to shut her own eyes. The darkness was very kind to her, and she went into it gently.

Top Invention from China - 735 Words

China has had lots of inventions and contributions to the world and just about all of them are still used today. The compass was one of the inventions created by the Chinese to help build their buildings in the right direction. Also Chinese Medicine was introduced in the ancient times and it shed some light on acupuncture and massage therapy. Printing and the umbrella were also other inventions developed by the Chinese. There are several more inventions and contributions that the Ancient Chinese developed but the main four that I believe to be the most important are silk, paper, porcelain, and good old gun powder. The Chinese invented silk more than 2,100 years ago. The Chinese didn’t’ just invent silk; they mastered the technique of†¦show more content†¦I simply can not live without paper. Porcelain is another great invention developed by the Chinese. It was invented during the Tang Dynasty. The Chinese have made the world’s finest porcelain for centuri es which is why I believe it belongs in the top four invention or contributions to the world. Even today it is so well know that porcelain is made in China, that when people get married they register for china (which is porcelain). Once porcelain was invented it became a great canvas for artistic work to be made on. Porcelain was mostly white with artistic artwork on top of its surface. The artwork on the porcelain was so nicely made that at the time of the invention, porcelain was in high demand to decorate the emperor’s palace. Another great invention that was developed during the Tang Dynasty was gun powder. The creator’s name of gun powder has been lost in history. Gun powder’s development was mostly used to make fireworks. Later in history during the Song Dynasty, gun powder was used to fight off their enemy the Mogols. It has been said that the first warriors to see the flaming arrows flying towards them may have thought it was some kind of fearsome magic. Gun powder was such a great advancement in warfare that the Song Dynasty banned the sale of saltpeter (used to make gun powder) so that the other countries would not learn how to make the substance. Since the Song Dynasty banned the sale of saltpeter,Show MoreRelatedAncient China1039 Words   |  5 PagesThe Ancient Chinese are responsible for many inventions and contributions to the world. Some of their inventions and contributions include paper making, moveable type printing, gunpowder, compass, alcohol, mechanical clock, tea product ion, silk, practical umbrella, acupuncture, iron and steel smelting, porcelain, earthquake detector, rocket, bronze, the kite, the seed drill, row crop farming, toothbrush and paper money. We will take a look at 10 of these contributions and then choose the four thatRead MoreSumerians, Egyptians, and Chinese Contributions868 Words   |  4 Pagesand toothpaste)? Or that for the last 4,000 years China has been the oldest continuous civilization on Earth? The Sumerians, Egyptians, and Chinese created flourishing civilizations filled with many achievements in writing, architecture, and technology that made lasting contributions to humankind. Sumer is referred to as the cradle of civilization† because there were many important inventions. Writing was one of Sumerians most important invention. Sumerians developed the world’s first known writingRead MoreChinas Scientific Revolution in the Tang and Song Dynasties779 Words   |  3 Pagesmade great strides and important advances in math, science, medicine and astronomy. Some of the inventions that were made during this era are still represented in Chinese culture today. Among some of the earliest scientific invention in these eras was the abacus, or what the Chinese called the shadow clock. This was the world’s first known calculator, and has remained one of China’s greatest inventions. In his article The Song Dynasty, Toni Zin explains, â€Å"The scientific development in the Song DynastyRead MoreHumanities 111 Term Paper1147 Words   |  5 PagesA Trip To China Is What The Doctor Ordered Humanities 111 February 2 2013 China is definitely on the top of my list of countries I could only dream to visit. There is so much that I know I can learn if given the opportunity to visit such a great country. Even today, China is home to the greatest inventions and works in the world. They are considered to be much more advanced in technology and products than the rest of the world. We have many things today in this world that is all becauseRead MoreAncient Chinese Contributions948 Words   |  4 Pagesseveral different sources of information, I feel the top 10 ancient Chinese inventions that need mentioning are as follows: 1. Paper: Though it is commonly believed that Egyptians are the true inventor paper (papyrus), they are 2 completely different things. The papyrus that the Egyptians used was not really paper. Papyrus is more or less the bark of a raw unprocessed plant. Paper, by its definition, is a processed material that is made from several raw materials. So the person on earth who actuallyRead MoreAchinese Contribution1133 Words   |  5 PagesAncient China was extremely advanced and many of its discoveries are still in use today’s world. Perhaps the Chinese has contributed more to the advancement of human kind than any other ancient culture. They have contributed to our world civilization’s achievements in the fields of agriculture, shipping, astronomy, printing, oil, martial arts, ammunition and mathematics. Ancient Chinese inventions such as gunpowder, silk, paper, printing, tea, wheel barrow, iron plows, deep drilling, porcelain,Read MorePatent Indirect Infringement Of Pat ent Infringement1202 Words   |  5 Pagespatent law. However, as China is more and more involved in international affairs, the necessity of establishing patent indirect infringement system is more and more obvious. In December 2nd, China has released the draft of the fourth patent law revision (draft for examination) to seek public review, into which added Article 62 to define indirect infringement of patent, but whether this Article will be retained or not finally is still not sure. So, it is better to learn from other countries’ experiencesRead MoreHistory Of The Silk Road Essay example969 Words   |  4 Pagespassageways connecting China with the Mediterranean completely changed the world. These series of trade routes allowed the advancement of technology and cultural diversity like never seen before. These routes connected many different civilizations allowing the exchange of goods and ideas. This variety of nationalities made it a â€Å"Cultural Bridge between Asia a nd Europe. † Before these pathways were established trade was nearly impossible due to extreme desert conditions and high mountain tops. Many peopleRead MoreThe Reasons Of The Tang Dynasty : The Golden Age930 Words   |  4 PagesDid you know that the Tang Dynasty was called the Golden Age? This is because the Tang Dynasty was the most successful out of all the dynasties. This is because the Tang Dynasty made of a lot of important inventions, had good rulers, and the commoners life was amazing. These are some of the reasons why the Tang Dynasty is one of the most Successful Dynasties. But first, let’s start to get to know this dynasty... This lasted 300 years (618-907). Li Yuan was an import part of the TangRead MoreThe Discovery Of A New Treatment Against Malaria1017 Words   |  5 PagesTU YOUYOU. Tu Youyou was born in Ningbo, Zhejiang Province, China on 30th December 1930. (Rogers 2016). According to Nobelprize.org (2016), She is married and blessed with two daughters. None of her parents were into medicine but they recognised the value of education and fully supported her. She schooled at Peking University School of Medicine from 1952 till 1955 in the department of Pharmaceutical Science (Edubilla.com 2015). According to her autobiography, she had tuberculosis when she was 16